Actually Liam Vik (vox and lyrics) and Mr. Ivan Perrone (beat) record their new album at our studio.
Liam Vik
Listen their last single released in december 2014 – Vittorio Arrigoni (Besana in Brianza, 4 febbraio 1975 – Gaza, 15 aprile 2011)
In last three months four new albums released from our studio!
– Andrea Fedeli “Overland 15”
Original soundtrack from Overland’s 2014 (here RAI television streaming)
We made mastering for all tracks
– MaMi duo “Tango & Co.”
A couple of great musicians, Cristina Mirkovic (violin) and Nadio Marenco (accordeon), plays tango and slavic songs.
We recorded and mixed all tracks
– Aspis Choir “Se Chanto”
Amazing choir sing traditional songs and original adaption of popular music.
We recorded in external locations and mixed almost all tracks, we made mastering.
– Warfari “The Beginning of a Story is Always Unwritten”
This is the first step of Warfari’s project, with several acoustic version of many rock standard songs.
We recorded and mixed almost all tracks, we made mastering.
Warfari official Youtube channel
Last days Ma Mi Duo, Nadio MArenco (accordion) and Cristina MIrkovic (violin), made a great perfomance at our studio.
They recorded sixteen tracks from typical tango to Eastern Europe popular themes for their new album “Tango & Co.”.
I worked on tracking, mixing and mastering for all songs.
Very fine musicians and great gears done amazing work.
Enjoy their music:
Hi,
in early june I recorded choir Aspis’s last session with DAD AX32.
Thanks to Audinate Dante Virtual Soundcard I used it like a soundcard with my MacBook.
Session was in S. Pietro auditorium in Milan which it’s charaterized by a very dry sound.
I used two AKG C414 TL-II to ORTF stereo array and four Schoeps CMC6 MK4 as spots on sections.
Choir Aspis’s session
As I checked in my tests (part 1 – part 2) DAD AX32 has an amazing sound!
I used DAD AX32’s premicrophones which have a very pristine sound with a wide dynamic range. They sound very close to my Millenia Media HV-3R.
Record will be released in September.
Cheers,
Lorenzo
Recently I had the pleasure to try Schoeps V4 U a new studio vocal microphone.
It’s a very interesting gear, lightly and small with several original technical solutions.
Shoeps V4 U in his wooden case
Available in grey and blue color Schoeps V4 U is a FET microphone trasformerless and free of coupling capacitors with a newly designed electronics which offer a very high maximum sound pressure level (144 dBspl).
Characteristic of this microphone is the beveled collar on the 33mm capsule which cause directivity to increase steadly and smootly at high frequencies, as in a large-diaphragm microphone.
Schoeps V4 U capsule head (source Schoeps website)
The classic look of the V4 U is based on the CM 51/3. This microphone was manufactured from Schoeps from 1951-1953.
The V4 U is available in two sets: The “V4 SGV set” contains the microphone, a wooden case and the SGV stand clamp, the “V4 USM set” differs from the other one for the elastic suspension USM-V4 (Rycote made).
I tested it with a female singer tracking, my speech and a test signal coupled with SpectraFoo Complete spectral analyzer and I used my Neumann U87ai as reference to check V4 U nuances.
I made a cluster of three microphones to compare the different sounds on the same source, all microphones were plu into a Millenia HV-3C and a DAD AX32 AD/DA converter chained with my DAW Logic Pro by Dante ethernet protocol.
Three microphones cluster
The test was carried out in three steps comparative:
1) Spectral responses and output level (I fixed a reference gain) of all microphones with SpectraFoo complete.
2) Comparison between Neumann U87ai (worldwide vocal reference) and Schoeps V4 U to check on a female singer and male speaker differences.
3) Comparison between Schoeps Colette MK4 and Schoeps V4 U to check differences for at first glance similar capsules.
The spectral responses of microphones are showed bottom, the first graph is about the output level where U87ai is the reference.
After I overlapped spectral response of Schoeps CMC6@MK4 on Schoeps V4 U and I checked a better performance on low end by V4 U and a identical response on mid and high frequencies.
Neumann U87ai and Schoeps V4 U comparison was very interesting, because on mid and high frequencies V4 U has a flat and extended response while on low end it’s intermediate between the other two microphones.
Ok, after technical stuff I explain vocal tracking of a female singer and a male speaker (myself).
All three microphones are amazing and professional gears, simply my opinion is about what I found “ready to use”.
Neumann U87ai highlighted a slightly muddy sound on low end and a nastily mid-high frequency (about 3kHz); Schoeps CMC6@MK4 was smoothed on mid-high frequencies without harsh but with a lacking low end.
Schoeps V4 U captured a focused, depth and natural sound with a warm low end and it kept the same smoothed and extended high end of CMC6@MK4. Transient response was very fast.
Schoeps V4 U is a goal, it’s a very interesting alternative to vocal studio standard microphones (like Neumann, AKG, Brauner and others). It natural sound with a warm low end and a flat extended response is a powerful tool to capture vocal and acoustic instruments.
The lack of alternatives polar responses, filters and pads are a limitation for the multipurpose applications but it’s a tipical Schoeps phylosophy to maximize microphones perfomance.
Cheers,
Lorenzo
Disclaimer: I tested this gear with care, nevertheless this test is inevitably affected by my opinion and possible analyzer gear and software imprecisions.
Copyright © 2013-2014 by iuatwest. All rights Reserved.
This material has been copyrighted, feel free to share it with others; it can be distributed via social media or pingbacks or added to websites; please do not change the original content and, provide appropriate credit by including the author’s name @ http://iuatwest.com and your readers shall not be charged by you under any circumstance.
In oUr ATtitude WE truST 