Schoeps V4 U presentation at our studio


last tuesday june 03, 2014 Te.De.S. (Schoeps, Millenia, DAD and others brands importer) presented Schoeps V4 U, studio vocal microphone at our studio. The participants were many and the event was very positive feedback.

Shoeps V4 U presentation

Shoeps V4 U presentation

I contributed with them to prepare a session to compare it with Neumann U87ai (worldwide vocal microphone reference) and Schoeps Colette series CMC6 MK4 (classic Shoeps small diaphragm).

Schoeps V4 U capsule has a new small-diaphragm capsule architecture, with bevelled collar for controlling the polar response.

Shoeps V4 U capsule

Shoeps V4 U capsule

The look of the V4 U is based on the Schoeps CM51/3 from 1951, finished in a elegant blue or grey color. They are available two kind of suspension: SGV stand clamp and USM-V4 elastic suspension (by Rycote).

I recorded a female singer with all microphones together with the same preamplifier Millenia HV-3R and converter DAD AX32 and after I compared each response.

Three microphones cluster

Three microphones cluster

Schoeps V4 U showed a smoothed response with an openness high frequency and a solid low end with a very natural image.

All participants liked it!

I’ll post a Schoeps V4 U test soon.







today I want explain what is In oUr ATtitude WE truST.

Related about many troubles in the current music market and where it’s mainly checking real better quality and price ratio. I started “In oUr ATtitude WE truST” promotional project with this blog where my work is gather together and available by video, audio and articles on several topics (like novelty gears previews or studio recording news) and in particulary to explain the ways I work, which equipment I use, how and why.

“In our attitude we trust” is a keywords to illustrate our searchkeeping to excellence.

I created the acronym IU AT WEST from the keywords to remember it easily.

IUATWEST project is made to propose you, in particulary to foreigner musicians, a whole package in which you can find my studio, my experience, accomodation and cultural opportunities such as clubs, theaters, museums and exhibitions in Milan (IT).

Check out my price list here



Copyright © 2013-2014 by iuatwest. All rights Reserved.
This material has been copyrighted, feel free to share it with others; it can be distributed via social media or pingbacks or added to websites; please do not change the original content and, provide appropriate credit by including the author’s name @ and your readers shall not be charged by you under any circumstance.

Technical backstage: my analog consolle

It’s not a didactic section (when needed I’ll link related pages on manufacturer site) but so as to explain my approach to recording.

D&R Dayner in my control room

D&R Dayner in my control room


before talking about my analog consolle I want to expand my point of view on some questions about the summing and the mixing.


The result of summing is a single signal (electric or digital) from several sources(*), the problem is how to make it without quality drop. Obviously that signal can be mono, stereo or multichannel in order to destination.

Theorically analog or digital summing are the same, but in real world, analog gear has a non-linear response with typical distortions on second harmonics and cross-talking. Digital summing can emulate it or capture the nuances of analog gears with convolution to add “warmth” and depth to mix.

(*) example of Op-amp summing amplifieranother example


Assumed that you used a good microphones and preamplifiers to capture several instruments, it’s probably necessarily change their timbres, levels and dynamics to make a pleasure sum. This is a basic approach to mix.

Today it’s possible work in several ways:

– Full Analog (rare)

Analog tape recorder with analog gears

– Out The Box (box is the pc) or OTB

Computer as digital recorder with analog gears like consolle and audio processor to mix

– In The Box or ITB

Computer become a DAW (Digital Audio Workstation) and it’s added with audio card with AD/DA converter and specific softwares.

– Hybrid

DAW and several analog outboards are chained by a multichannel DA/AD

Nothing of their is the best choice but each can be a better way to work into a specific situation.

I chose two solutions: ITB and OTB.

To work ITB I chose Apple Logic Pro (since 1996 – 2.5.4 version) with many plug-ins like Waves, Softube, Metric Halo, Brainworx, SPL and Abbey Roads (this last is discontinued – ouch).

Alternative DAWs available are ProTools 10 and Harrison Mixbus 2.x.

ITB mix is a cheapest way to add many times the same expensive (but virtual) compressor or reverb, to create automation for all parameters available, to edit takes, to create incredible audio effects, to add and manage virtual instruments and to add samples to substitute or sum it with original recording. At last to save and restore the project with one “click”.

But after many years I realized an innate problem in ITB mixing.

If it’s true that when I add plug-ins the relative delays (into DAW) are automatical compensated, the delay due in conseguence how to CPU works (multiplexing) affects time alignment of all channels into sum (unlike analog consolle where all signals are process in a parallel way). That phenomena is audible in complex mix with many tracks and many plug-ins and it’s highlighted with a shifting the mix to muddy sound with a depth deterioration.

Let’s be clear ITB mixing is good choice but adding plug-ins without limits can shift your sound in trouble although your high perfomance pc system. Just the same of any machinery when is overfilled.

It’s odd to note how many phase or time alignment plug-ins are maded in last years although digital recording has less problems about phase correlaction compared with vynil cutting.

To realize OTB mixing I bought a second-hand consolle, directly from eighties, D&R Dayner.

Ok, now I go to present it.

D&R Dayner

This is a tipical studio in-line consolle, with direct outs, tape returns, eight busses and eight auxiliaries.

It has 24 channels and eight effects return and I did broaded it frame to insert Euphonix MC Mix control surface, Apple keyboards and third screen of my DAW.

Dayner peculiarity is it floating busses (named subs), that is the possibility to assign any bus to any channel (along left/right assignement). Tape output and monitor section are substitute by bus signal. It’s useful to send to recorder premixed channels.

Dayner input section - above the floating subs assign

Dayner input section – above the “from floating subs” assign

Then it’s possible to work from 24 channels without busses to 16 channels and 8 busses.

They have three kinds of channels: In-Line, Split and Tape/Effects return.

In-line: it’s a basic channel, it manage mic and line input with eq, aux sends and volume. Also it manage tape return on specific input and monitor section. It’s possible invert input with tape return to mix the latter (remix switch). Bus assignement send it to tape out and monitor section without possibility to assign it to main.

Split: it’s the dedicate channel to manage floating bus on mixing with assignement to main. It haven’t tape return section. I haven’t split channel but on In-line channel I chained tape out with line-in to replicate their. In this way I can applied insert and complete eq section on bus signal and mix it.

Tape/Effects return: it has four balanced line input. They are perfect to manage extra eight channel to mix. Today I use it chained with two channel strip Focusrite ISA220 and to input stereo effects return from DAW.

I tested Dayner bandwidth with Spectrafoo and DAD AX32 at 96kHz (see test here) and the eq too.

Bandwidth and phase response measured at 96kHz

Bandwidth and phase response measured at 96kHz

I like the eq of Dayner, it works in mellow way without artifacts. It sounds great on drums and electric bass.

The eight auxiliaries are routed to DAW to applied reverb, delay or modulation effect.

I can mix from 32 channels without group to 24 channels + 8 groups (busses).

I’m very happy for my Dayner consolle, I suggest it to mix rock, blues and jazz (acoustic and electric).



Copyright © 2013-2014 by iuatwest. All rights Reserved.
This material has been copyrighted, feel free to share it with others; it can be distributed via social media or pingbacks or added to websites; please do not change the original content and, provide appropriate credit by including the author’s name @ and your readers shall not be charged by you under any circumstance.

Manuel Consigli iuatwest promotional video


listen (yes, listen) my new video. Manuel Consigli, very fine artist, play guitar solo.

Stereophonics technics, best microphones and preamplifier microphone to make a better sound! (in order: Mid-side tecnichs, Shoeps and Millenia)

Experience, professionality and quality! In oUr ATtitude WE truST!